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There is some connexion
(I like the way the English spell it
They鈥檙e so clever about some things
Probably smarter generally than we are
Although there is supposed to be something
We have that they don't鈥攄on鈥檛 ask me
What it is. . . .)
鈥擩ohn Ashbery, 鈥淭enth Symphony鈥

Something We Have That They Don鈥檛 presents a variety of essays on the relationship between British and American poetry since 1925. The essays collected here all explore some aspect of the rich and complex history of Anglo-American poetic relations of the last seventy years. Since the dawn of Modernism poets either side of the Atlantic have frequently inspired each other鈥檚 developments, from Frost鈥檚 galvanizing advice to Edward Thomas to rearrange his prose as verse, to Eliot鈥檚 and Auden鈥檚 enormous influence on the poetry of their adopted nations (鈥渨hichever Auden is,鈥 Eliot once replied when asked if he were a British or an American poet, 鈥淚 suppose, I must be the other鈥); from the impact of Charles Olson and other Black Mountain poets on J. H. Prynne and the Cambridge School, to the widespread influence of Frank O'Hara and Robert Lowell on a diverse range of contemporary British poets. Clark and Ford鈥檚 study aims to chart some of the currents of these ever-shifting relations. Poets discussed in these essays include John Ashbery, W. H. Auden, Elizabeth Bishop, T. S. Eliot, Mark Ford, Robert Graves, Thom Gunn, Lee Harwood, Geoffrey Hill, Michael Hofmann, Susan Howe, Robert Lowell, and W. B. Yeats.

鈥淧oetry and sovereignty,鈥 Philip Larkin remarked in an interview of 1982, 鈥渁re very primitive things鈥: these essays consider the ways in which even seemingly very 鈥渦nprimitive鈥 poetries can be seen as reflecting and engaging with issues of national sovereignty and self-interest, and in the process they pose a series of fascinating questions about the national narratives that currently dominate definitions of the British and American poetic traditions.

This innovative and exciting new collection will be of great interest to students and scholars of British and American poetry and comparative literature.

鈥淭he essays in this book are scrupulous as well as imaginative, and the entire collection adds life to the idea of transatlantic modernism. It is sure to be appreciated by readers of Yeats, Auden, Gunn, Lowell, and the other poets, joined here in surprising counterpoint, who prove to be 鈥楴ot helplessly strange to the new conditions.鈥欌濃擠avid Bromwich, Yale University, author of Skeptical Music: Essays on Modern Poetry and Hazlett: The Mind of a Critic

Stephen Burt
Bonnie Costello
Alan Golding
Langdon Hammer
Nicholas Jenkins
Edna Longley
Tony Lopez
Stan Smith
Helen Vendler

Hardcover

ISBN-13
9780877458814
Retail price
$41.00

eBook, 120 day

ISBN-13
9781587294761
Retail price
$10.00

eBook, Perpetual

ISBN-13
9781587294761
Retail price
$29.95

Publication Details

Publication Details

Publication Date
04/25/2004
Pages, art, trim size
272 pages, 6 x 9 inches
Edition
1st